• Thu. Mar 30th, 2023

16 Absolutely Terrifying Aztec Artifacts

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Sep 29, 2022


The Aztecs emerged in central Mexico round 1300 AD, coming to dominate the encircling space from their capital metropolis  Tenochtitlan, now Mexico Metropolis. Stretching throughout highlands, coastal plains, valleys, and jungles, they had been the biggest and most profitable Mesoamerican empire when it comes to dimension and demographics. They had been additionally fierce, violent, highly effective, and ugly. Identified for his or her brutal battle ways and ritual sacrifices of struggle captives, slaves, and harmless civilians, the Aztecs had been obsessive about demise. They stored skulls as trophies, flayed individuals alive, ripped out their hearts, rolled heads down pyramid steps, cannibalized their victims, and worshipped demise gods. These artifacts give a terrifying perception into the world of the traditional Aztecs.

Mictlantecuhtli, the Aztec God of the Useless, present in Teotihuacan ( Anagoria / CC by SA 3.0 ). The worship of Mictlantecuhtli typically concerned ritual cannibalism, with human flesh being consumed in and across the temple.

Statue of Xipe Totec, the flayed-skin god (Bkwillwm / CC BY SA 3.0).  Xipe Totec is represented wearing flayed human skin, usually with the skin of the hands falling loose from the wrists. At the annual festival of Xipe Totec slaves or captives were sacrificed and priests wore the flayed skin of the victims with the fresh blood still dripping.

Statue of Xipe Totec, the flayed-skin god ( Bkwillwm / CC BY SA 3.0 ).  Xipe Totec is represented carrying flayed human pores and skin, often with the pores and skin of the fingers falling free from the wrists. On the annual competition of Xipe Totec slaves or captives had been sacrificed and clergymen wore the flayed pores and skin of the victims with the contemporary blood nonetheless dripping.

An Aztec knife used for gruesome ritual sacrifices, shaped like a crouching eagle warrior (Trustees of the British Museum / CC BY-NC-SA 4.0)

An Aztec knife used for ugly ritual sacrifices, formed like a crouching eagle warrior (Trustees of the British Museum /  CC BY-NC-SA 4.0 )

The Emperor Death Whistle depicting the Lord of the Dead, developed by Master flute maker Xavier Quijas. Aztec death whistles made piercing noises resembling a human scream, and are believed to have been used during ceremonies, sacrifices, or during battles to strike fear into their enemies.

The Emperor Loss of life Whistle depicting the Lord of the Useless, developed by Grasp flute maker  Xavier Quijas Aztec death whistles  made piercing noises resembling a human scream, and are believed to have been used throughout ceremonies, sacrifices, or throughout battles to strike worry into their enemies.

A chac-mool at the Templo Mayor (Greater Temple) archaeological site in Mexico City. The hole in the belly of the chac-mool was where the hearts of sacrificed victims were placed. (Miguel / Adobe Stock)

A chac-mool on the Templo Mayor (Higher Temple) archaeological web site in Mexico Metropolis. The outlet within the stomach of the chac-mool was the place the hearts of sacrificed victims had been positioned. ( Miguel / Adobe Inventory)

The most fearsome Aztec instrument of death was the “macauahuitl,” a club weapon favored by elite warriors. It was a wooden bat surrounded by razor-sharp obsidian blades. It was so powerful it could reportedly kill a horse with one strike. A modern recreation of a ceremonial macuahuitl made by Shai Azoulai. Photo credit: Niveque Storm (CC BY-SA 3.0)

Probably the most fearsome Aztec instrument of demise was the “ macauahuitl,” a  club weapon  favored by elite warriors. It was a picket bat surrounded by razor-sharp obsidian blades. It was so highly effective it might reportedly kill a horse with one strike. A contemporary recreation of a ceremonial macuahuitl made by Shai Azoulai. Photograph credit score: Niveque Storm ( CC BY-SA 3.0 )

Turquoise mosaic Aztec mask of Xiuhtecuhtli, God of Fire. At the annual festival dedicated to Xiuhtecuhtli, slaves and captives were dressed as the deity and sacrificed in his honor (Mistervlad / Adobe Stock)

Turquoise mosaic Aztec masks of Xiuhtecuhtli, God of Hearth. On the annual competition devoted to Xiuhtecuhtli, slaves and captives had been dressed because the deity and sacrificed in his honor ( Mistervlad / Adobe Inventory)

Aztec Stone Eagle, Cuauhxicalli, which has a circular cavity in its back for receiving human hearts. Templo Mayor Museum at site of Aztec Great Temple, Mexico City. (Public Domain)

Aztec Stone Eagle, Cuauhxicalli, which has a round cavity in its again for receiving human hearts. Templo Mayor Museum at web site of Aztec Nice Temple, Mexico Metropolis. ( Public Domain )

Pendant in the form of an animal head. Made of wood and covered with turquoise and malachite mosaic. The open mouth is encrusted with gemstones and lined with real shark teeth (Trustees of the British Museum / CC BY-NC-SA 4.0)

Pendant within the type of an animal head. Made from wooden and lined with turquoise and malachite mosaic. The open mouth is encrusted with gems and lined with actual shark enamel  (Trustees of the British Museum /  CC BY-NC-SA 4.0 )

During excavations at the House of Eagles at the northern end of the Great Temple of Tenochtitlan in Mexico City, archaeologists uncovered two life-size clay statues of Mictlantecuhtli. These terrifying figures depicted the god of death and ruler of the underworld, shown with his liver hanging out, his skin ripped off, and claw-hands. Experts believed that worship of Mictlantecuhtli was linked to ritual cannibalism. (Gary Todd / CC BY SA 1.0)

Throughout excavations on the Home of Eagles on the northern finish of the Nice Temple of Tenochtitlan in Mexico Metropolis, archaeologists uncovered two life-size clay statues of  Mictlantecuhtli. These terrifying figures depicted the god of demise and ruler of the underworld, proven together with his liver hanging out, his pores and skin ripped off, and claw-hands. Specialists believed that worship of Mictlantecuhtli was linked to ritual cannibalism. ( Gary Todd / CC BY SA 1.0 )

The mosaic skull mask of Tezcatlipoca is believed to represent Tezcatlipoca, a.k.a. “Smoking Mirror,” one of the four powerful and influential creator gods of Aztec mythology. This Aztec artifact is actually a human skull covered with a mosaic of turquoise. Experts believe it was part of a ceremonial ritual costume and was worn with the help of deerskin straps. (Trustees of the British Museum / CC BY-NC-SA 4.0)

The mosaic cranium masks of Tezcatlipoca is believed to symbolize  Tezcatlipoca, a.okay.a. “Smoking Mirror,” one of many 4 highly effective and influential creator gods of Aztec mythology. This Aztec artifact is definitely a human cranium lined with a mosaic of  turquoise. Specialists consider it was a part of a ceremonial ritual costume and was worn with the assistance of deerskin straps. (Trustees of the British Museum /  CC BY-NC-SA 4.0 )

This 13th century golden serpent lip-piercing is a rare Aztec gold artifact. For the Aztecs, gold was associated with the gods and was worn by their rulers. Known as labrets, these items were symbolic of power and the insertion of a labret through a piercing was part of the Aztec accession ceremony. (Public Domain)

This thirteenth century golden serpent lip-piercing is a uncommon Aztec gold artifact. For the Aztecs,  gold was related to the gods and was worn by their rulers. Often called labrets, these things had been symbolic of energy and the insertion of a labret via a piercing was a part of the Aztec accession ceremony. ( Public Domain )

An original rock-crystal skull on display at The British Museum. Its origins are largely uncertain but the stylization of the features of the skull is in general accord Aztec of Mixtec carvings. (Trustees of the British Museum / CC BY-NC-SA 4.0)

An authentic rock-crystal cranium on show at The British Museum. Its origins are largely unsure however the stylization of the options of the cranium is normally accord Aztec of Mixtec carvings.  (Trustees of the British Museum /  CC BY-NC-SA 4.0 )

A figure of a cihuateotl, the spirit of an Aztec woman who died in childbirth. (CC0)  In Aztec mythology, the Cihuateteo were the malevolent spirits of women who died in childbirth. A cihuateotl was depicted as a fearsome figure with clenched, claw-like fists, macabre, bared teeth and gums and aggressive poses.

A determine of a cihuateotl, the spirit of an Aztec lady who died in childbirth. ( CC0)  In Aztec mythology, the Cihuateteo had been the malevolent spirits of ladies who died in childbirth. A cihuateotl was depicted as a fearsome determine with clenched, claw-like fists, macabre, bared enamel and gums and aggressive poses.

Serpent mask of Tlaloc, in the form of two intertwined and looped serpents in turquoise mosaic. (Trustees of the British Museum / CC BY-NC-SA 4.0)

Serpent masks of Tlaloc, within the type of two intertwined and looped serpents in turquoise mosaic. (Trustees of the British Museum /  CC BY-NC-SA 4.0 )

The double-headed feathered serpent was made with over 2,000 tiny pieces of highly prized turquoise. Possibly representing Quetzalcoatl, this Aztec artifact speaks to an era when the Aztecs were on the brink of destruction. (The Trustees of the British Museum / CC BY-NC-SA 4.0)

The double-headed feathered serpent was made with over 2,000 tiny items of extremely prized turquoise. Presumably representing  Quetzalcoatl, this Aztec artifact speaks to an period when the Aztecs had been getting ready to destruction. (The Trustees of the British Museum /  CC BY-NC-SA 4.0 )

Prime picture:  An Aztec cranium of a sacrificed captive used as a masks, encrusted within the nostril and mouth with obsidian blades. ( Dante / Adobe Stock )

By Cecilia Bogaard





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